Abstract

The current popularity of the mapping trope, particularly in discussions of postmodernism, might give rise to the impression that the AAA has expanded its sphere of marketability: all those readers lost in the wilderness of Western civilization need a good map to find their way to meaning and, with any luck, to history. Berman dons the cap of cartographer-chauffeur and steers us with great skill on a breathtaking tour through the landscape of the German novel from 1848 to 1947. We are undoubtedly in better hands with Berman than with Allstate. While his impressive study begins, modestly enough, with the assertion that “literature has its geography,”