Abstract

Originally published as a preface to a collection of Italian translations of writings by and interviews with Carl Schmitt, this chapter asks what Schmitt’s professional identity as a jurist meant for his thought. It shows how each of his works offers an image of him that can best be understood in the context of what Walter Benjamin called the “now of knowability,” i.e., in a constellation produced by the thorniest political problems of Schmitt’s time. The challenge that Schmitt’s writings raise is akin to that of finding figures hidden in a landscape painting. Agamben argues that the hidden figures in Schmitt’s works designate points at which their contemporary relevance is greatest. Only with this constellation in mind, he insists, can the crux of Schmittian exegesis—that of a fascist thinker who continues to concern contemporary society—be fully appreciated.