- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Musical space synesthesia: Automatic, explicit and conceptual connections between musical stimuli and space
Consciousness and Cognition 28:17-29 (2014)
Abstract
This article has no associated abstract. (fix it)Author's Profile
Other Versions
No versions found
My notes
Similar books and articles
The Metaphoric Logic of Musical Motion and Space.Arnie Walter Cox - 1999 - Dissertation, University of Oregon
A conceptual musical space.Vincent Mcdermott - 1972 - Journal of Aesthetics and Art Criticism 30 (4):489-494.
Cultural background influences implicit but not explicit sense of agency for the production of musical tones.Zeynep Barlas & Sukhvinder S. Obhi - 2014 - Consciousness and Cognition 28:94-103.
Drugs, altered states, and musical consciousness: reframing time and space.Jörg Fachner - 2011 - In David Clarke & Eric Clarke (eds.), Music and consciousness: philosophical, psychological, and cultural perspectives. New York: Oxford University Press. pp. 263.
Tuning the mind: Exploring the connections between musical ability and executive functions.L. Robert Slevc, Nicholas S. Davey, Martin Buschkuehl & Susanne M. Jaeggi - 2016 - Cognition 152:199-211.
When is a Room a Music Room? Sounds, Spaces, and Objects in Non-courtly Italian Interiors.Flora Dennis - 2012 - In Dennis Flora (ed.), The Music Room in Early Modern France and Italy: Sound, Space and Object. pp. 37.
Musical hallucinations, musical imagery, and earworms: A new phenomenological survey.Peter Moseley, Ben Alderson-Day, Sukhbinder Kumar & Charles Fernyhough - 2018 - Consciousness and Cognition 65 (C):83-94.
The Normative Space of Musical Performance: Expertise and the Symbolic Body.Ståle Finke & Mattias Solli - forthcoming - British Journal of Aesthetics.
Analytics
Added to PP
2014-07-13
Downloads
45 (#490,914)
6 months
12 (#289,909)
2014-07-13
Downloads
45 (#490,914)
6 months
12 (#289,909)
Historical graph of downloads
Author's Profile
Citations of this work
Consistency and strength of grapheme-color associations are separable aspects of synesthetic experience.Simon Lacey, Margaret Martinez, Nicole Steiner, Lynne C. Nygaard & K. Sathian - 2021 - Consciousness and Cognition 91 (C):103137.
References found in this work
The mental representation of parity and number magnitude.Stanislas Dehaene, Serge Bossini & Pascal Giraux - 1993 - Journal of Experimental Psychology: General 122 (3):371–96.
The mental representation of ordinal sequences is spatially organized.Wim Gevers, Bert Reynvoet & Wim Fias - 2003 - Cognition 87 (3):B87-B95.
Spatial representation of pitch height: the SMARC effect.E. Rusconi, B. Kwan, B. Giordano, C. Umilta & B. Butterworth - 2006 - Cognition 99 (2):113-129.
Geometrical approximations to the structure of musical pitch.Roger N. Shepard - 1982 - Psychological Review 89 (4):305-333.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-667477cd97-lv8mh dc2