- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
The arousal and expression of emotion by music
British Journal of Aesthetics 30 (1):57-61 (1990)
Abstract
This article has no associated abstract. (fix it)Author's Profile
Other Versions
No versions found
My notes
Similar books and articles
The expression and arousal of emotion in music.Jenefer Robinson - 1994 - Journal of Aesthetics and Art Criticism 52 (1):13-22.
Three theories of emotion—three routes for musical arousal.Jenefer Robinson - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 155.
The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control.Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.) - 2013 - Oxford University Press.
How music creates emotion: a multifactorial process approach.Klaus R. Scherer, Eduardo Coutinho, T. Cochrane, B. Fantini & K. R. Scherer - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press.
Rhythmic entrainment as a mechanism for emotion induction by music: a neurophysiological perspective.Wiebke Trost & Patrik Vuilleumier - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford University Press. pp. 213.
Artistic expression and the claims of arousal theory.John E. MacKinnon - 1996 - British Journal of Aesthetics 36 (3):278-289.
Reply to R. T. Allen.Kenneth W. Stikkers - 1987 - Journal of the British Society for Phenomenology 18 (1):72-74.
Reply to R. T. Allen.James L. Marsh - 1987 - Journal of the British Society for Phenomenology 18 (1):75-78.
Cochrane, Tom, Bernardino Fantini, and Klaus R. Scherer, eds. The emotional power of music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford university press, 2013, X + 381 pp., 22 b&w illustrations, $99.00 cloth. [REVIEW]Vladimir J. Konečni - 2015 - Journal of Aesthetics and Art Criticism 73 (2):214-218.
Analytics
Added to PP
2009-01-28
Downloads
234 (#109,947)
6 months
6 (#823,508)
2009-01-28
Downloads
234 (#109,947)
6 months
6 (#823,508)
Historical graph of downloads
Author's Profile
Citations of this work
Musical Emotions and Timbre: from Expressiveness to Atmospheres.Nicola Di Stefano - 2023 - Philosophia 51 (5):2625-2637.
Music, meaning, and emotion.David Carr - 2004 - Journal of Aesthetics and Art Criticism 62 (3):225–234.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-667477cd97-2pm92 dc2