Abstract

What every medievalist knows about medieval Iceland is that it had no king, at least not until 1262 when it passed under the control of the Norwegian crown. In the rapidly growing discussion of early Iceland in the last forty years there has, however, been relatively little comment on what it may have meant for Iceland to have no king, specifically what it may have meant for the unique flowering of Icelandic letters beginning in the late twelfth century and persisting in full vigor into the early fourteenth century. In what follows I will argue that the absence of a king and the increasingly palpable presence of the Norwegian king were significant factors in the shaping of Icelandic literature, not least of all that peculiar triumph of medieval narrative, the Icelandic saga