The Child of Fortune: Envy and the Constitution of the Social Space

Contagion: Journal of Violence, Mimesis, and Culture 20:117-140 (2013)
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Abstract

In this paper, we sketch out a simple scheme to evaluate different ways in which Western society has coped with the momentous and hidden problem of envy; afterward, we consider the consequences for the constitution of the social space that these changes entail. We will argue that envy, when considered as a primal feeling, can shed light on René Girard’s notion of metaphysical desire and on diasparagmos rituals. Then, taking into account Jean-Pierre Dupuy’s endogenous fixed point thesis—concerning the constitution of autotranscendent social structures that configure themselves around an attractor, a fixed point, revealed to be a product of the process of constitution, an effect and not a cause—we will consider envy as the main feedback in the system. Starting from this theoretical scenario, we will envisage three steps—on a line sketched according to mimetic theory—marked by the particular conditions and role of the feedback. We will show what kind of balance was guaranteed to Athens (taken as an exemplar archaic society, starting from its self-representation as given by Sophocles in Oedipus the King) by the complementary rituals of pharmakos and ostrakos; what equilibrium was offered to Christian medieval social structures by the doctrine of the deadly sins; and, finally, we will take a look at our own secularized society. Our aim is to apply René Girard’s theory systematically, to show how the philosophy of history that we can infer from his works can help us to detect a curious and at the same time quite dramatic change as far as the homeostatic equilibrium of our society is concerned. Thanks to this exercise, we will be able to show how the transcendental social space— by which we mean the region of possible outcomes, in terms of constraints and possibilities, of a human life in a social context—is constituted through the victimage mechanism as defined by Girard and how this constitution is affected by the performative unveiling of the mechanism itself.

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Emanuele Antonelli
University of Turin

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