Abstract

This article shifts the emphasis away from debates on how to study the history of the Mediterranean. Instead, it examines the utopian perspectives that Mediterranean as a context and as a framework generates for artists and scholars. Arslan argues that the Mediterranean's _longue-durée_ history does not have to be thought of as a prison or a burden; rather, this history can provide new future visions. The article claims that artists can draw upon the Mediterranean's history to simultaneously resist against Western imperialism and criticize discriminatory practices in their communities. Furthermore, recent works in Mediterranean studies can generate what the author calls a "disciplinary utopia," wherein critics can engage with theoretical issues without foregoing attention to the languages and historical contexts of the traditions they study. The Mediterranean is not solely a sea in which narratives are produced; it is also a context in which they can be reassessed.