Abstract

This dissertation develops and applies, through criticism, a theory of rhetoric which addresses the Modernist achievement in literary expression within the context of the current attacks on communication. A modest conclusion about the limits of communicative efficacy in addressing personal experience is proposed and tested. This "modest proposal" represents an alternative to extreme universalist presumptions on the one hand, and radically skeptical solipsism on the other, thus contributing to current discussions emphasizing hopeful directions for communication theory. ;The study examines the limits of rhetoric in approaching human experience by examining the relationship between expression and personal reference in the Modernist epiphany. Particular attention is paid to how this earlier tradition informs the postmodern loss of faith in communication. ;The study applies a dialectical method which involves locating a closely related text and theory, testing the theory against the criterion of the text, using the dialectical imbalance created out of this comparison to move to a higher synthesis of theory and practice. The study moves through three dialectical phases corresponding to the movement of the expression of epiphanel experience form literature, to film, to artistic expression generally