Abstract

This piece written for Valentine’s Day 2014 links the love songs of Smokey Robinson with writing on romantic love from classical theorists to feminist writers like Mary Evans and bell hooks. Through a discussion of Smokey Robinson’s biography it argues that the political and affective key of his songs is similar to the arguments provided by feminist theory. It makes a case for holding to a ‘love ethic’ that is a doing, not confined to one person alone but rather circulated and routed within wider communities.