Abstract

Five Heads (1929–1930) and Actors in the Square (1969). An attempt was made to trace the external plan of the image in all its elements (form construction, figure composition, the characteristics of faces, the color landscape) and to reveal the internal plan, the figurative structure, which manifests itself in the play of the color surface, which performs a dual role: to be both an object shell and a screen, where associations that arose in the mind and imagination of the artist in the process of work are visualized. The attempt to see and analyze how the interweaving of the two image planes (symbiosis, synthesis), their flowing into each other create a pulsating image of the work that touches the feelings of the viewer.