Abstract

Summary What are the connections between Ian Hunter's specific criticisms of cultural studies and his more general criticisms of those strands of the humanities that take issue with instrumental reasoning? How are these connections informed by his assessments of the limitations, and the consequences, of the ?moment of theory?? What are the implications of his critique of anti-instrumental defences of the humanities for contemporary debates concerning the future trajectories of cultural studies? In exploring these questions I consider the continuities between Hunter's initial criticisms of cultural studies and the broader contours of his subsequent engagements with contemporary diagnoses of the fading critical vocation of the humanities. While endorsing the general tenor of Hunter's remarks on these questions, I conclude by arguing the need for genealogies of cultural studies and of the humanities that cast their nets more widely than Hunter's primary focus on textual disciplines