Abstract

This article has two interrelated projects. The first is to offer a philosophical engagement with the poetry of Norma Cole. The second is, through that engagement, to take up critically aspects of Heidegger’s writings on poetry. Consequently, as well as introducing Cole’s poetry to a wider academic audience, the contention of the article is that the limit of certain philosophical interpretations of poetry — here Heidegger’s — can be found in other instances of the work of poetry.