Introduction to "Special Section on Musicology": Popular Music from Adorno to Zappa

Telos: Critical Theory of the Contemporary 1991 (87):71-77 (1991)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 100,154

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

The Mother of All Interviews: Zappa on Music and Society.Florindo Volpacchio - 1991 - Telos: Critical Theory of the Contemporary 1991 (87):124-136.
The Impossibility of Music: Adorno, Popular and Other Music.R. Hullot-Kentor - 1991 - Telos: Critical Theory of the Contemporary 1991 (87):97-117.
Introduction to the Special Section on China.D. Pan - 2015 - Telos: Critical Theory of the Contemporary 2015 (171):93-98.
Deconstructing D'Amico, or Why Joel Whitebook is so Upset.Robert D' Amico - 1985 - Telos: Critical Theory of the Contemporary 64:153.
Introduction to Adorno.Elizabeth Rapaport - 1974 - Telos: Critical Theory of the Contemporary 19:2.
Popular Music and Adorno's "The Aging of the New Music".Robert Hullot-Kentor - 1988 - Telos: Critical Theory of the Contemporary 1988 (77):79-94.
Popular Music and Adorno's "The Aging of the New Music".Robert Hullot-Kentor - 1988 - Telos: Critical Theory of the Contemporary 1988 (77):79-94.
Popular Music and Adorno's "The Aging of the New Music".Robert Hullot-Kentor - 1988 - Telos: Critical Theory of the Contemporary 1988 (77):79-94.

Analytics

Added to PP
2014-01-17

Downloads
27 (#814,542)

6 months
4 (#1,232,709)

Historical graph of downloads
How can I increase my downloads?

Author Profiles

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references