Abstract

I have been asked to contribute a paper to the present series of lectures on culture, specifically on whether it is possible to understand the art of other cultures. What I find intriguing is why this question arises; why is such understanding seen as a problem needing discussion?These are significant questions. How they are answered will be important for any possibility of cross-cultural aesthetic judgments and aesthetic experience. In order to deal with them it is necessary to see how they got purchase, what background they emerged from.