Abstract

The debate about the determination of the illocutionary force of a speech act revolves around the notion of uptake and the role played by the audience: many scholars consider the hearer’s recognition of the force of the locution a necessary condition for the performance of an illocution. A variety of theories has been put forward. According to Langton (Philosophy and Public Affairs 22: 293–330, 1993), the hearer’s uptake determines whether a successful act has been performed. According to Kukla (Hypatia 29(2): 440–457, 2014), the hearer’s uptake constitutes the nature of the act performed. According to McDonald (The Philosophical Quarterly 72(4), 918–939, 2022), the illocutionary force of a speech act is the result of a process of negotiation between hearer and speaker. Drawing on the theoretical tools provided by Marina Sbisà’s work, I will show how the theories giving the audience a central role in fixing the illocutionary force of a speech act fall short. The topic proves relevant not only for theoretical reasons, but also for social and political ones. In particular, it has a bearing on debates about pragmatic phenomena of illocutionary distortion such as discursive injustice and silencing, where marginalized speakers have trouble performing particular speech acts they are entitled to perform.