Destroyed – Disappeared – Lost – Never Were

British Journal of Aesthetics 64 (3):415-417 (2024)
  Copy   BIBTEX

Abstract

Objects play a prominent role in art history. Historians reflect on exemplary works and what they reveal. They may disagree as to which objects best exemplify a.

Other Versions

No versions found

Links

PhilArchive

    This entry is not archived by us. If you are the author and have permission from the publisher, we recommend that you archive it. Many publishers automatically grant permission to authors to archive pre-prints. By uploading a copy of your work, you will enable us to better index it, making it easier to find.

    Upload a copy of this work     Papers currently archived: 103,839

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Unimagined Beauty.Elizabeth Scarbrough - 2014 - Journal of Aesthetics and Art Criticism 72 (4):445-449.
Why Music Moves Us - Jeanette Bicknell. [REVIEW]Christopher Bartel - 2010 - Journal of Aesthetics and Art Criticism 68 (3):317-319.
Jeanette Bicknell, Why Music Moves Us Reviewed by.James O. Young - 2009 - Philosophy in Review 29 (5):316-317.
A World Art History and Its Objects.J. Rapko - 2010 - British Journal of Aesthetics 50 (2):209-212.
Art's Visual Efficacy: The Case of Anthony Forge's Abelam Corpus.Jakub Stejskal - 2016/2017 - Res: Anthropology and Aesthetics 67:78-93.
Aesthetic Objects and Works of Art.Michael H. Mitias - 1991 - Journal of Aesthetics and Art Criticism 49 (3):263-265.
Aesthetic objects and works of art.Dorothy Walsh - 1974 - Journal of Aesthetics and Art Criticism 33 (1):7-12.

Analytics

Added to PP
2023-08-30

Downloads
30 (#819,258)

6 months
7 (#592,519)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references