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The effect of harmonic context on phoneme monitoring in vocal music
Cognition 81 (1):B11-B20 (2001)
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Citations of this work
Are we “experienced listeners”? A review of the musical capacities that do not depend on formal musical training.E. Bigand & B. Poulin-Charronnat - 2006 - Cognition 100 (1):100-130.
Predictive uncertainty in auditory sequence processing.Niels Chr Hansen & Marcus T. Pearce - 2014 - Frontiers in Psychology 5:88945.
Music and Language Perception: Expectations, Structural Integration, and Cognitive Sequencing.Barbara Tillmann - 2012 - Topics in Cognitive Science 4 (4):568-584.
Music cognition: a developmental perspective.Stephanie M. Stalinski & E. Glenn Schellenberg - 2012 - Topics in Cognitive Science 4 (4):485-497.
Musical structure modulates semantic priming in vocal music.Bénédicte Poulin-Charronnat, Emmanuel Bigand, François Madurell & Ronald Peereman - 2005 - Cognition 94 (3):B67-B78.
References found in this work
Dynamic attending and responses to time.Mari Riess Jones & Marilyn Boltz - 1989 - Psychological Review 96 (3):459-491.
Implicit learning of tonality: A self-organizing approach.Barbara Tillmann, Jamshed J. Bharucha & Emmanuel Bigand - 2000 - Psychological Review 107 (4):885-913.
Reaction time to phoneme targets as a function of rhythmic cues in continuous speech.Joyce L. Shields, Astrid McHugh & James G. Martin - 1974 - Journal of Experimental Psychology 102 (2):250.
Semantic focus and sentence comprehension.Anne Cutler & Jerry A. Fodor - 1979 - Cognition 7 (1):49-59.
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