Abstract

Nicolaus Taurellus (1547-1606) developed a detailed critique of Cesalpino’s cardiocentric physiology, challenging the causal roles that Cesalpino ascribed to the heart, blood, vital spirits and vital heat in the origin of sensitive powers. He also rejected Cesalpino’s view that a cardiocentric physiology of sensation could be used as an analogy to explain in what sense the universe could be understood as being animated. The central point of Taurellus’s critique is that Cesalpino’s treatment of vital heat implies a theory of divine immanence. On first sight, this critique may seem to rest on a misinterpretation since there are passages in which Cesalpino describes the relation between the causal role of vital heat and divine causation as an analogy. However, Taurellus draws attention to some aspects of Cesalpino’s thought that have not found much attention from commentators: Cesalpino’s account of divine self-reflection as a principle of final causation inherent in animals, and his account of divine self-reflection as a principle of final causation inherent in the heavens.