L’invisible nature de l’art visuel

In Julien Gremaud & Jeremy Schorderet (eds.), Strappato. Vevey: Micronaut. pp. 38–42 (2017)
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Abstract

Dans ce texte, je me propose d’appliquer aux œuvres d'arts visuels, et en particulier à Baptism I de Michael Rampa, une théorie sur la nature de l’art, la théorie des qualités quaternaires. Selon celle-ci, l'art existe en vertu de qualités quaternaires, qui consistent en les créations ostensives de propriétés évaluatives perçues.

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Constant Bonard
University of Bern

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