Abstract

This article analyzes Drucilla Cornell’s critical theory as a practice of engaging with radical thinking and radical politics in the interest of revolutionary transformation. Arguing that Walter Benjamin’s imperative to wrest tradition away from conformism is at the heart of Cornell’s work, the article shows how Cornell applies this imperative both to the tradition of resistance against oppression and to critical theory itself. The article follows Cornell’s call to decolonize the critical theoretical project by bringing Surinamese anticolonial activist and writer Anton de Kom, various collectives that participated in the 2022 German art festival documenta 15, and the disobedience of six young Palestinian “Freedom Riders” into conversation with Cornell’s writings on the South African Revolution and on Afro-Caribbean liberatory thought.