Making a Play for Criseyde: The Staging of Pandarus's House in Chaucer's Troilus and Criseyde

Speculum 73 (1):115-140 (1998)
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Abstract

This essay grows out of my curiosity regarding the architectural details Chaucer provides for the consummation scene in book 3 of Troilus and Criseyde, in which Pandarus first brings Troilus to Criseyde through a trap door from an adjacent stewe and then, to reassure her that her reputation is not being compromised, offers the false explanation that Troilus secretly entered the house by means of a goter and a pryve wente . Among the obscure details are such matters as the implied spatial relationships among the rooms and the exact nature of features like the goter and pryve wente. In trying to puzzle these things out, I have been able to supplement H. M. Smyser's influential presentation of the architecture of Pandarus's house with new information and interpretations—and with some speculations on the literary function of several of the architectural details that Chaucer gives us: the stewe, the trap door, the goter, and the pryve wente

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