Abstract

The paper describes a thread that binds past beliefs and practices with current technology and how that might be used to interpret current artistic progress. This requires an examination of Gnostic ideas, and an account of scientific and metaphysic research into the idea of networked systems and connectivity. The implementations and development of different codes as tools for sound composing is discussed. Two apparently contradictory contemporary trends are identified: (a) the growing homogenization of consumer culture that can be seen as digital reincarnation of the common elements of ancient folk music and (b) the distribution and fragmentation of musical sources and outlets from which new structures and perceptions can emerge. I will present these trends and their foundations and tie them with current artistic development.