In the Beginning Is the Icon: A Liberative Theology of Images, Visual Arts, and Culture by bergmann, sigurd

Journal of Aesthetics and Art Criticism 70 (2):241-242 (2012)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 103,314

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

A Theology of Artistic Sensibilities: The Visual Arts and the Church.John Dillenberger - 1988 - Journal of Aesthetics and Art Criticism 46 (3):433-434.
Images of Romanticism: Verbal and Visual Affinities.Karl Kroeber & William Walling - 1979 - Journal of Aesthetics and Art Criticism 38 (2):219-219.
Aesthetics and anti-aesthetics in the visual arts.Paul Mattick - 1993 - Journal of Aesthetics and Art Criticism 51 (2):253-259.
Philosophy and the Visual Arts: Seeing and Abstracting.Andrew Harrison - 1989 - Journal of Aesthetics and Art Criticism 47 (2):191-193.
Psychiatry and Psychology in the Visual Arts and Aesthetics: A Bibliography.Norman Kiell - 1965 - Journal of Aesthetics and Art Criticism 24 (2):325-325.

Analytics

Added to PP
2012-05-03

Downloads
47 (#491,890)

6 months
9 (#328,796)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references