Abstract

This paper makes the following claims: 1) early playwrights (especially Cratinus and Epicharmus, with a new reading of frr. 23B1-2 DK = 275-276 PCG) were keen on lampooning Eleatism; 2) through literary and linguistic devices that were obvious for Plato's original public, Plato revived this tradition in the Parmenides; 3) the Parmenides portrays the Eleats as catastrophically counterproductive philosophers. In sharp contrast with Socratic logoi, Eleatism, far from promoting philosophy (protreptic), eventually alienates all possible disciples ('apotreptic'), thus undermining the very notion of Platonic philo-sophia.