Abstract

Calvin Schrag’s Self after Postmodernity is a trim but ambitious book. In it Schrag sets out to correct, or at least to temper—sometimes seemingly to appease—what he regards as the excesses and distortions arising from contemporary assaults on the concepts of selfhood and subjectivity, arising particularly from recent French philosophy. In so doing, he tries to articulate a response to the problem of modernity as framed by Weber and Habermas, that is, in terms of the increasing mutual alienation of the cultural spheres of science, morality, and art. To these three Schrag adds a fourth, religion, and doing so affords him repeated—though not always fruitful—digressions into Kierkegaard’s account of the aesthetic, ethical, and religious stages of existence.