Abstract

The posthumous publication, in 2018, of Foucault’s Confessions of the Flesh, volume four of The History of Sexuality, defied expectations, both by his choice of the ancient authors he studied and by his broadening of the problems he explored. Based on the archives kept at the Bibliothèque nationale de France, this article formulates, for the first time, a series of hypotheses concerning the stages in which Foucault composed this ‘Christian’ volume over a period of more than six years. The three moments distinguished here correspond to three different ways of approaching the initial problem, formulated in 1975, of the history of the confession of sexuality. Whereas scholars have hitherto assumed that Foucault abandoned his first project during a long period of doubts or hesitations, the archives show, on the contrary, a continuous and coherent work—which does not exclude major evolutions in terms of the corpus, periods, and themes studied. In particular, over the years Foucault’s project appears increasingly torn between two different histories: a history of confession, which was at the heart of the initial project, and a history of moral experience, which, in an analysis of the self, interiorizes the history of sexuality.