Abstract

This article is a cross-disciplinary investigation into the role of political violence, in the present era, from a progressive’s viewpoint. Starting from the view that explanations of the rapidly changing politics in the West must take account of an often unconscious, emotional landscape, it invokes Lacanian concepts and artistic representations, including references to Anthony Burgess’s classic novel of dystopian ultra-violence, A Clockwork Orange. Here, I review a long history of the enjoyment of violent performance in politics, from the arenas of Ancient Rome to extremist right-wing websites. Along the way, we hear from neo-Nazis, political activists, stand-up comedians, satirists and philosophers. My aim to prevent an increasingly polarised society descending further into authoritarianism and eventually outright warfare, provokes a surprising final reversal: resistance, sometimes violent (both to self and others) must be protected, in order to lead progressives to those “excluded” from our demos and towards what Connolly (2017) refers to as “multifaceted democracy”.