Abstract

Evolutionary or biocultural theorizing about horror films has been slow to gain traction in film studies, but the field has seen two recent book publications, Mastering Fear by Rikke Schubart and Primal Roots of Horror Cinema by Carrol L. Fry. Unfortunately, neither book is poised to make a substantial impact on evolutionary horror film theory. Mastering Fear ultimately undermines its own engagement with evolutionary social science, and Primal Roots of Horror Cinema stops short of contributing substantially to the field beyond its compelling argument for the relevance of evolutionary social science to film studies. Plenty of work remains to be done at the fertile junction between evolutionary psychology and horror film.