Galileo's telescope in John Milton's Paradise Lost: the modern origin of the critique of science as instrumental rationality?

Filozofski Vestnik 33 (2):163-194 (2012)
  Copy   BIBTEX

Abstract

“Almost in the same historical moment when Galileo directed all modern physics to the reading of that book which Nature was supposed to have written herself in geometric or, subsequently, algebraic signs, the modern novel and modern theatre stepped in as evidence that modern readers and spectators enjoy the effects of those fictions most of all when they are altogether free of science.” Friedrich Kittler, “Man as a drunken town musician”

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,297

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2013-10-30

Downloads
33 (#690,648)

6 months
33 (#114,529)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Justin Dominic Clemens
University of Melbourne

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references