Abstract

This paper examines the manipulation of costume by characters in Aristophanes' Acharnians, Thesmophoriazusae, and Frogs. Costume control is viewed as a type of comic competition. In Acharnians, Dicaeopolis' overall mastery is expressed by his control over costume; in Thesmophoriazusae, the Relative experiences a series of costume-related humiliations; in Frogs, Dionysus and Xanthias exchange costume, reducing Dionysus' status. Successful manipulation of costume is associated with masculinity and heightened status, while failure to control costume is correlated with emasculation and lowered status. Characters' handling of costume has additional reference to the poet's degree of mastery over the elements of dramatic production.