Abstract

This paper outlines a solution to the puzzle of imaginative resistance that makes—and if successful helps to vindicate—two assumptions. The solution first assumes a relationship between moral judgements and affective states of the subject. It also assumes the correctness of accounts of imaginative engagement with fiction—like Kendall Walton’s account—that treat engagement with fiction as prop-based make-believe in which works of fiction, but also appreciators of those works, figure as props. The key to understanding imaginative resistance, it maintains, is understanding how real feelings become part of fictional worlds.