Abstract

Sometimes I feel that Sorgner's ideas can foresee the questions I can ask about his philosophy. But I cannot claim that he is a prophet of Apollo. Instead, his latest work continues to embrace a Dionysian constant, showing the reaches of an ontology of per-manent becoming and putting into practice his own understanding of philosophy, namely an "Intellectual War of Values". Such a statement is Hera-clitean and, therefore, also Nietzschean. In this sense, Philosophy of Posthuman Art is not a work independent of the author's other works, but a necessary consequence of his global intellectual production.