Abstract

This article reflects on the history of queer theory's entry in France by turning to two critics, Marie-Hélène Bourcier and François Cusset, who claim to have introduced the term ‘queer’ into French culture. It analogizes these critics' claims as a battle of the ‘archons’ as conceptualized by Derrida in Archive Fever. Archons police official memory and search for the ‘authentic’ origins of the event, practice or discipline that is archived. The Derridean formulation allows me to consider the narrative that Bourcier and Cusset assert, particularly that concerning the status of French theory as the progenitor of queer theory, in terms of the authority of the archon. The Derridean analogy also enables me to consider what gets written out of each account in the archontic endeavour. The article finally turns to the subject of the possibility of a more disruptively queer archive by arguing for a re-evaluation of Bourcier's earlier collaborative work. I argue that what Derrida pinpointed as an anarchivizing ‘fever’ that threatens stable, exclusionary memory may be detected in this early work.