Abstract

We conceive the development of photography along a horizontal axis: the camera mounted on a tripod, the lens looking out at the expanse of the earth. Cinematographic narrative is based on this horizontal gaze. But quite early on the recording device was transported vertically into the air: Militarized vision, with its own specific narrative mode, begins when the images from above are assembled into a database and analyzed to reveal movements, in order to predict their most probable future course. The aim is to track certain objects, to target then, to destroy them. The arrival of computers and networked communications permits the accelerated development of a form of vision entirely devoted to these processes of tracking and targeting, which no longer offer images for our specular reflection a form of vision which is no longer «for us. »