Abstract

Despite a growing body of evidence to the contrary, the running slave , and particularly the often lengthy entrance monologue of the running slave, is generally considered a distinctly Roman phenomenon, an exuberant growth of the Latin soil, albeit from Greek seed.1 There are two reasons for this. One reason is the frequency with which the motif appears in the comedies of Plautus and Terence, in sharp contrast with the absence of any single undisputable New Comic example. The second reason is Eduard Fraenkel's Plautinisches im Plautus which, sixty-five years after its publication, remains the most authoritative scholarly work in the field of Roman comedy. In this book Fraenkel argues that Plautus' running-slave scenes, particularly the monologues of the Curculio and the Captivi , are a veritable nexus of original Plautine traits