- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Emerging Visions of the Aesthetic Process: Psychology, Semiology and Philosophy
Journal of Aesthetics and Art Criticism 53 (4):445-446 (1995)
Abstract
This article has no associated abstract. (fix it)Other Versions
No versions found
My notes
Similar books and articles
Emerging visions of the aesthetic process: psychology, semiology, and philosophy.Gerald C. Cupchik & Janos László (eds.) - 1992 - New York, NY, USA: Cambridge University Press.
Daniel Berlyne and disinterested criticism: Inter-and intra-disciplinary discourse.J. J. Furedy - 1992 - In Gerald C. Cupchik & Janos László (eds.), Emerging visions of the aesthetic process: psychology, semiology, and philosophy. New York, NY, USA: Cambridge University Press. pp. 14--23.
From perception to production: A multilevel analysis of the aesthetic process.Gerald C. Cupchik - 1992 - In Gerald C. Cupchik & Janos László (eds.), Emerging visions of the aesthetic process: psychology, semiology, and philosophy. New York, NY, USA: Cambridge University Press. pp. 61--81.
Semiology, marxism, and the movies.Silvio Gaggi - 1978 - Journal of Aesthetics and Art Criticism 36 (4):461-469.
Quarterly Bibliography of Aesthetic Theory, Criticism, and Psychology of Art.[author unknown] - 1941 - Journal of Aesthetics and Art Criticism 1 (4):82-87.
Music and Discourse: Toward a Semiology of Music.Jean-Jacques Nattiez & Carolyn Abbate - 1990 - Journal of Aesthetics and Art Criticism 51 (1):91-92.
The Aesthetic Process.Van Meter Ames - 1945 - Journal of Aesthetics and Art Criticism 3 (11):101-102.
The Emerging Goddess: The Creative Process in Art, Science, and Other Fields.Albert Rothenberg - 1980 - Journal of Aesthetics and Art Criticism 39 (2):206-209.
Studies in the New Experimental Aesthetics: Steps toward an Objective Psychology of Aesthetic Appreciation.D. E. Berlyne - 1975 - Journal of Aesthetics and Art Criticism 34 (1):86-87.
Analytics
Added to PP
2017-02-21
Downloads
10 (#1,478,542)
6 months
9 (#509,115)
2017-02-21
Downloads
10 (#1,478,542)
6 months
9 (#509,115)
Historical graph of downloads
Citations of this work
Neurocognitive poetics: methods and models for investigating the neuronal and cognitive-affective bases of literature reception.Arthur M. Jacobs - 2015 - Frontiers in Human Neuroscience 9:138374.
Towards a sensorimotor aesthetics of performing art.B. Calvo-Merino, C. Jola, D. E. Glaser & P. Haggard - 2008 - Consciousness and Cognition 17 (3):911-922.
It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons.Elvira Brattico, Brigitte Bogert, Vinoo Alluri, Mari Tervaniemi, Tuomas Eerola & Thomas Jacobsen - 2015 - Frontiers in Human Neuroscience 9.
Human, Nature, Dynamism: The Effects of Content and Movement Perception on Brain Activations during the Aesthetic Judgment of Representational Paintings.Cinzia Di Dio, Martina Ardizzi, Davide Massaro, Giuseppe Di Cesare, Gabriella Gilli, Antonella Marchetti & Vittorio Gallese - 2015 - Frontiers in Human Neuroscience 9:154298.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-667477cd97-sfdq8 dc2