Abstract

Descartes’s work as a philosopher was inspired by three dreams he had on November 10, 1619, and yet the philosophy that Descartes produced in response to this inspiration included an argument that all dreams are deceptive. This particular incongruity is indicative of a more general ambivalence and anxiety in Descartes’s thought concerning images, which creates a tension that is never fully resolved. In this essay I focus primarily on one side of that tension: the part of Descartes’s philosophy that is distrustful of images. To do this I first reconstruct Descartes’s theory of images, drawing from several of his lesser-known writings on optics, and then I consider how that theory of images leads Descartes to conceptualize true vision as a matter of “insight” rather than “eyesight” and to argue that the blind actually see better than those with working eyes. In the final part of the essay I briefly consider some of the consequences of Descartes’s theory of vision and the suspicion of images that animates it.