Abstract

When the first edition of Pragmatist Aesthetics came out in 1992, it was immediately perceived as an important new step in Anglo-American philosophy. The aesthetics of the English language were clearly dominated by the analytic current, and the ties with the “continental” debate at that time were quite tenuous. Shusterman, however, reconnected with the pragmatic tradition, and in particular with the aesthetics of John Dewey, thus breaking with many consolidated schemes of thinking, which was...