Abstract

The Rhetorimachia by Anselm of Besate is one of the most original and less understood works of the high Middle Ages. By showing his literary and philosophical competences with this fictitious ‘rhetoric battle’ against his cousin, Anselm tries to obtain a prestigious job at Emperor Henry III’s court. In a continuous, polished game with his learned readers, Anselm uses all resources of the trivium, presenting his culture in a new, secular way, which is an anticipation of the Italian cultural context of the 12th century, the era of the Comuni.