Abstract

In the seventeenth century, when the modern Self emerged in the shape of a self-assured Cartesian cogito, a radically opposite movement of ‘emptying’ or ‘deconstructing’ that Self took place. The religious subject, having become modern, understood its ultimate aim as becoming selfless. The battlefield on which the new subject fought the fight with its own modern condition was the issue of ‘love’. ‘What is the status of his Self when it is involved in the act of love?’ was the central question in seventeenth century religiosity. This essay examines the early modern idea of pur amour and focuses only on two voices in the Querelle Du Quiétisme, François de Fénelon (1651–1715) and Nicolas Malebranche (1638–1715). Fénelon vehemently defended the pur amour, a concept he adopted from a century-long tradition of spirituality in France and which he tried to explain and legitimize in a systematic and theoretical way. Malebranche was highly critical of that tradition, but refused neither to use the term nor to refer to the ideal of pur amour. His interpretation of the Self, however, forced him to draw different conclusions on the nature of pure love.