Abstract

It is a commonplace that Western culture is in moral crisis. One response has been to turn to art to fill the vacuum created by the collapse of traditional morality. I analyze one version of this appealing but deeply paradoxical view of art: Hans-Georg Gadamer's proposal to find in art a source of moral instruction which neither reverts to foundationalism nor leads to relativism. I argue that Gadamer's romantic picture of art overlooks the possibility that the authority of tradition and our transformation by it may be part of the problem instead of the solution