Abstract

Hegel and the Symbolic Mediation of Spirit examines the role of the symbol and the sign in Hegel's philosophy. Of the relatively few commentators who have concerned themselves at all with the role of the symbol or the sign in Hegel's philosophy, most have restricted themselves to either his discussion of theoretical spirit, in which he presents symbol-making as an act of the imagination that must be surpassed by abstract thought, or to his consideration of the symbolic form of art, which he describes as the mere precursor to art's ideal form. As a result, these commentators have tended to assume that Hegel's philosophy asserts a simple preference for the sign over the symbol. Hegel and the Symbolic Mediation of Spirit contests this assumption by considering these passages in light of Hegel's entire philosophy of spirit and logical method. Through close analyses of the various ways in which the symbol and the sign serve the development of theoretical and absolute spirit, this dissertation demonstrates how the symbol is of "absolute" importance to Hegel's notion of spirit as wholly self-determining. Although spirit's necessary recourse to the symbolic--to that which is ambiguous and displacing--appears to compromise its act of self-determination, this work shows how spirit's symbolic experience actually conditions and completes its self-determining activity. At the same time, besides leading to a new understanding of spirit, this comprehensive consideration of Hegel's discussions of the symbol and the symbolic leads to a unique position on some of the most widely-debated issues of Hegelian scholarship. It serves, for example, to delineate the relationship between language and thought, to illuminate the paradox of art's simultaneous absolute and derivative status, and to display philosophy's ultimate dependence upon artistic and religious conceptions of reality