Abstract

Two librettos are examined, one of them baroque and the other contemporary, in which the character Socrates plays the major role. The libretto La patienza di Socrate con due moglie, written by N. Minato for A. Draghi (1680) and later reelaborated by G.P. Telemann for his opera Der geduldige Sokrates (1721), is based on an imaginary anecdote that dates back to antiquity, according to which Socrates was married to two wives, Xanthippa and Myrto. In the libretto written by E. Krenek for his opera Pallas Athene weint (first production 1955), the end of the Peloponnesian War is transformed into a mirror of the fascist dictatorship of Adolf Hitler and of the time of cold war. At the center of the action is Socrates, fighting in vain against tyranny and lack of political freedom, and at the end he will be a victim of this struggle.