Abstract

Every well-read architect in the English-speaking world will soon be familiar with the name of Uriel Birnbaum. For this he will have to thank a philosopher: a German philosopher, the provocative and prolific Peter Sloterdijk1—author of “the best-selling German book of philosophy since World War II,”2 the Kritik der zynischen Vernunft, or Critique of Cynical Reason. But Sloterdijk’s more recent 1998–2004 magnum opus, the three-volume, 2,573-page Sphären, or Spheres, has not yet been fully translated into English. This itself will prove no insignificant task; the book has been variously described as “expansive,” “majestic,” “epic,” “monumental,” and even “megalomaniac,”3 and thus far only the first volume ..