Abstract

This paper discusses the work of the Einstein's Brain Project and its representations of a dynamic world through the production of technologically sustained realities and recursive cognitive systems examining bio-electrical fields. These augmented realities combine the languages of art, science and technology, and the new structures of hypermorphism - the ever morphing, ever changing object, and the parallaxic remix - the ever moving contextual eye -to reveal the invisible elements of biological existence and the dynamics of living systems.