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The Fake: Forgery and its Place in Art
Ervin Dunai (ed.)
Rowman & Littlefield Publishers (1999)
Abstract
Sándor Radnóti looks at forgeries, artistic reproductions, replicas, variations, and pastiches in order to study the dilemmas surrounding artistic illusion and "poetic license." He reveals how forgeries as the parasites of art make clear and transparent the meaning of artistic orginality.Other Versions
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The Fake: Forgery and Its Place in Art.Ervin Dunai - 2000 - Philosophical Quarterly 50 (200):425-427.
The fake: Forgery and its place in art. Sándor radnóti.Jason Gaiger - 2001 - British Journal of Aesthetics 41 (3):339-341.
Sándor Radnóti, The Fake: Forgery and its Place in Art. [REVIEW]Matthew Stephens - 2001 - Philosophy in Review 21:141-143.
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Revisionism and Modernism Revisited.David Davies - 2003 - In Art as Performance. Malden, MA: Wiley-Blackwell. pp. 177–205.
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Citations of this work
Six theoretical paradigms of Eastern European Marxist aesthetics.Fu Qilin - 2020 - Thesis Eleven 159 (1):35-56.
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