Abstract

In this assessment of the intersection of trade, picturing collections and knowledge?making in Early Modern Antwerp, the focus is on the role of luxury glass, mirror and lens technology and the science of optics. Emphasizing the social ties that facilitated these intersections, it is argued that newly invented luxury goods such as the pictures of collections and the art cabinets allowed Antwerp craftsmen, artists and art dealers to export the message that the material objects in which they traded were objects of knowledge: not to everyone, however, but to those who desired membership of a select community