Abstract

This contribution has two motives. In the first place an unorthodox reading of Gadamer's work is provided. This unorthodox reading differs from an orthodox reading that normally places Gadamer's thinking in a certain etimological and historical constellation. It is unorthodox in the sense that Gadamer's hermeneutics is interpreted as a creative contemporary answer to the Kantian project. It is argued that Gadamer interprets Kant's project of the three Critiques from the third to the first (in reverse gear). In this process he starts (in contrast with Kant) with an aesthetical critique of the subjectivist cul de sac of Kant's concept of aesthetical consciousness and then broadens this critique (with the help of the aesthetical concept of play) to the spheres of history and language. In this process Gadamer also addresses ethical and epistemological issues. It is important to notice, though, that Gadamer reads aesthetical, ethical and epistemological issues as interdependent on one an other – with a remarkable emphasis on aesthetics. In the final section (the second motive) it is argued that this reading of Gadamer's aesthetical reconstruction of the Kantian project has interesting implications for other contexts – for instance the possibility for an authentic philosophy in South Africa, and more specifically in the Afrikaans world.