Abstract

“There is not, then, more than one science of man in time (history), and that science has the task of uniting the study of the dead with the study of the living.”— Marc BlochUnlike the scientist, who in the nineteenth century was anointed with the aura of the solitary genius, the historian has, since ancient times, been thought of as a creator conditioned by his social group. The historian knows his profession thanks to routine apprenticeship under his professors. He trains in the discipline by reading the models inherited from his predecessors. He discovers the secrets of the art by analyzing the work of his colleagues. His richest sources of inspiration are the masterpieces of all times from the most diverse cultures.