Abstract

In 2017, the Australasian Journal of Philosophy issued a rare retraction, informing their readers that one of their articles was not in fact written by a cat. The short article, a critique of David Lewis’s ‘Veridical Hallucination and Prosthetic Vision’, was published in 1981 under the name of ‘Bruce Le Catt’, a figure with no discernible institutional affiliation or track record of publishing, but who appears to have been familiar with Lewis’s work. As indeed he might have been, being the beloved pet of the great American philosopher. It may not have come as a surprise to those familiar with Lewis’s work that ‘Bruce Le Catt’ was not the pseudonym of an astute critic, but of Lewis himself. The playfulness of Lewis’s writing is well known: for instance, the paper ‘Holes’ (1970), co-written with Stephanie Lewis, is a dialogue between two characters, ‘Argle’ and ‘Bargle’, on the ontological status of holes as found in Gruyère, crackers, paper-towel rollers and in matter more generally. Nevertheless, the attribution of the 1981 paper to a cat seemed to cross a line. It may have been playful, but it was also deceptive, hence the retraction. Lewis was not the only 20th-century philosopher to publish using an invented persona. The contents page of the book Explaining Emotions (1980), edited by Amélie Oksenberg Rorty, features the essay ‘Jealousy, Attention, and Loss’ by one Leila Tov-Ruach, listed on the Contributors page as ‘an Israeli psychiatrist, who writes and lectures on philosophic psychology’. Some readers might have noticed that this is a rather unusual name – a pun on laila tov ruach or ‘goodnight wind’ in Hebrew – and might have had their suspicions confirmed by the fact that there is no discernible trace of this psychiatrist elsewhere on the medical or academic record. Indeed, as an erratum on the University of California Press website drily notes, Amélie Oksenberg Rorty and Leila Tov-Ruach are indeed one and the same person.